Stars Of Britpop: Where Are They Now?

Britpop luminaries such as Damon Albarn, Noel and Liam Gallagher, and Jarvis Cocker have been in the public eye a lot in recent years, either for reuniting their classic bands or pursuing new projects or both. But what about all the Britpop stars who aren’t consistently making headlines anymore in the States? What have those people been up to lately? It’s Britpop Week so let’s explore.

Britpop luminaries such as Damon Albarn, Noel and Liam Gallagher, and Jarvis Cocker have been in the public eye a lot in recent years, either for reuniting their classic bands or pursuing new projects or both. But what about all the Britpop stars who aren’t consistently making headlines anymore in the States? What have those people been up to lately? It’s Britpop Week so let’s explore.

It’s Britpop Week on Stereogum and no conflict defined the Britpop era more than the rivalry between Blur and Oasis — more specifically, the war of egos between the bands’ primary songwriters, Blur’s Damon Albarn and Oasis’ Noel Gallagher. The dueling geniuses have since gone from bitter enemies to such jolly old pals that they’re talking about collaborating on music, but Britpop’s royals had to endure a wildly entertaining yet disconcertingly bilious media-abetted war on the way to a united kingdom. Here are 10 notable moments in that progression from adversaries to chums.

It’s Britpop Week on Stereogum and no conflict defined the Britpop era more than the rivalry between Blur and Oasis — more specifically, the war of egos between the bands’ primary songwriters, Blur’s Damon Albarn and Oasis’ Noel Gallagher. The dueling geniuses have since gone from bitter enemies to such jolly old pals that they’re talking about collaborating on music, but Britpop’s royals had to endure a wildly entertaining yet disconcertingly bilious media-abetted war on the way to a united kingdom. Here are 10 notable moments in that progression from adversaries to chums.

If you came of age at a certain time — say, that musical sweet spot around 1993/’94 when the “Alternative Nation” was just coming into full bloom — chances are Veruca Salt were/are very important to you. In 1994, I was enduring my first year of college, and American Thighs — Veruca Salt’s much-beloved debut album — was basically the unofficial soundtrack of my life. Not only were Veruca Salt ostensibly just very cool — a band fronted by two badass guitar-wielding women, Nina Gordon and Louise Post — their music was oddly prescient as well, neatly ushering in a swarm of other bands who understood the benefit of marrying snarly guitars with undeniable pop hooks and gooey vocal harmonies. Given that “Seether” — the band’s breakthrough single — was one of the most omnipresent songs of the ’90s, the future seemed (at least in that moment) to be Veruca Salt’s for the taking. They sold more than a million records, they toured with other, similarly great bands (Hole and PJ Harvey among them) and played an arena show in front of 10,000 people in their hometown of Chicago. Still, the story of Veruca Salt — like so many of their ’90s brethren — would turn out to be a cautionary tale of sorts. After releasing their Bob Rock-produced sophomore album, Eight Arms To Hold You, and doing a lengthy round of touring, Gordon abruptly left the band in what she now describes as some real Behind The Music bullshit: “It was drugs and cheating and all that junk.” Both Gordon and Post would soldier on making music (Gordon under her own name, Post under the Veruca Salt moniker), but it would never really be the same. Sadder than the end of their musical partnership was the end of their friendship, something that both Post and Gordon mourned for the better part of the next two decades.

But this story has a happy ending. Twenty years after the release of American Thighs, Nina Gordon and Louise Post officially reunited as Veruca Salt, having quietly rekindled their friendship over the past several years. In 2013 the two women re-teamed with their other original bandmates — drummer Jim Shapiro (who is also Gordon’s brother) and bassist Steve Lack — to make some new music. As a result, the band just released a special 10″ vinyl for Record Store Day (including two brand-new and classic-sounding tracks, “The Museum of Broken Relationships” and “It’s Holy”), and are currently hard at work on material for a new Veruca Salt LP with producer Brad Wood (the same person responsible for producing American Thighs back in 1994). They’ll also be hitting the road this summer. I had the good fortune of chatting with Gordon and Post about their reunion and their enduring friendship, for their first interview together as Veruca Salt in 17 years. Read the interview then check out “The Museum of Broken Relationships.”


I will get lurk tweets for like a week before my show, like “I’m about to go to the Iggy Azalea show and I’m going to finger her,” and I’ll see it and be like, please don’t! That’s a violation. I don’t actually like that stuff.
Like, they think I’m real slutty, like “Oh, she got a song called ’Pussy,’ I know what she wants. She wants these two fingers.” Why would I want a stranger to ever finger me? Buying my album for $12 doesn’t mean you get to finger me when I come to your city.

Iggy Azalea Wants Fans To Stop Trying To Finger Her

I will get lurk tweets for like a week before my show, like “I’m about to go to the Iggy Azalea show and I’m going to finger her,” and I’ll see it and be like, please don’t! That’s a violation. I don’t actually like that stuff.

Like, they think I’m real slutty, like “Oh, she got a song called ’Pussy,’ I know what she wants. She wants these two fingers.” Why would I want a stranger to ever finger me? Buying my album for $12 doesn’t mean you get to finger me when I come to your city.

Iggy Azalea Wants Fans To Stop Trying To Finger Her

The Menzingers – “I Don’t Wanna Be An Asshole Anymore” Video (Stereogum Premiere)

Grassroots Pennsylvania pop-punks the Menzingers release their new album Rented World today, and they’re marking the occasion with a video for the triumphant lead single “I Don’t Wanna Be An Asshole Anymore.” Director Whitey McConnaughy has given the colossal fist-pumper a humorous yet wistful treatment about a serial killer trying to turn over a new leaf. It’s a genius concept for a song that already sends hearts racing.